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Edia; a real-time narrated planetarium presentation. The full duration is approximately 40 minutes and is displayed as a stereographic projection.

Edia is screen based presentation depicting a cosmology of digital space. The base elements of the screen signal are shown as building blocks for a threshold space that is neither interior or exterior proper. The space is revealed to be creative, infinite and non continuous. Distributed throughout, we see a metaphysics of interior human space as an exploded view of the self. The self no longer confined to an individualist notion.

The work details the notion of a distributed self; distinguishing an individual's body from its counterpart, the dividual. The dividual extends the self into a mesh of relations, communications and emotings. Within Edia's nested structures, a self is shown as a constellation of points distributed around the globe. The points are personified by 'friends' in dialog. The entity's interconnected points on the network form an analogous structure in our own bodies. Edia's molecular constitution is bonded by audiovisual channels that are both its memory and links to the possible in sequences of event. Its amalgamations of inter subjective perspective visualize reality as an artifact of communication.

Video recordings appear as memories of the seen. The spheres are seen from both outside and in. From outside; the video coated spheres are perspective objects that connect with others in ersatz molecular formations. From within; the surface is continuous, providing an immersive enclosure for memory and revery spaces. These spaces evoke the unique worlds of the friends in the artists network of Emotives.

The work describes a new topology of space that the network has produced within us. 3D visualizations are used as optical explorations depicting the abstract concepts of the rhizomatic in networks and databases and their play with the affective structures of human relations . Edia is a digital entity that occupies a 'space' that supports our physical space. Edia is comprised of RGB pixels and computed values that are described and depicted as a cosmology of digital space.

documentation of Edia installation...

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Sloterdijk

Sloterdijk foam

Sloterdijk faciality

 

Sloterdijk globes

 

Peter Sloterdijk diad

Sloterdijk globes

Sloterdijk

Peter Sloterdijk

Peter Sloterdijk

Spheres trilogy Sloterdijk

ON: The bounding layer's surface forms a continuous horizon.

ON: The bounding layer's surface forms continuous a horizon.

ON: The bounding layer's surface forms a continuous horizon.

WITHIN: The outside turns in and the horizon collapses, taking the sky with it. All points are connected- Networked, we are all visible to one another.

WITHIN: The outside turns in and the horizon collapses, taking the sky with it. All points are connected- Networked, we are all visible to one another.

THROUGH: the cylinder forms an ellipse, its length - a passage. A liminal space that is both form and void – hole and whole.

THROUGH: the cylinder forms an ellipse, its length - a passage. A liminal space that is both form and void – hole and whole.

THROUGH: the cylinder forms an ellipse, its length - a passage. A liminal space that is both form and void – hole and whole.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

OUT/IN: Perspective is established by the eye. The eye acts as both witness and writer; encoding the seen into memories that are seeded into the cloud below it.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

Edia is comprised of a network of emotives. The network has a
molecular quality; its bonds of audiovisual sequences play in the
emotive's nodes.

THE NESTED SHELLS: Shells envelope one another, each, a dimension that influences the growth and direction taken at the center.

THE NESTED SHELLS: Shells envelope one another, each, a dimension that influences the growth and direction taken at the center.

THE NESTED SHELLS: Shells envelope one another, each, a dimension that influences the growth and direction taken at the center.

AT THE CENTER: direction of thought is decided. It is the result of a complex interaction of memory, desire and the emotivational.

AT THE CENTER: direction of thought is decided. It is the result of a complex interaction of memory, desire and the emotivational.

POSSIBLES: forces of perception and imagination are stimulated. The actual materializes overwriting the cascades of incompossibles.

POSSIBLES: forces of perception and imagination are stimulated. The actual materializes overwriting the cascades of incompossibles.

POSSIBLES: forces of perception and imagination are stimulated. The actual materializes overwriting the cascades of incompossibles.

DIVIDUALS: identicals are particles that radiate from within the dividuals body. They are produced in points of view, the identicals interact with the real and actual.

DIVIDUALS: identicals are particles that radiate from within the dividuals body. They are produced in points of view, the identicals interact with the real and actual.

DIVIDUALS: identicals are particles that radiate from within the dividuals body. They are produced in points of view, the identicals interact with the real and actual.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

POINTS OF LIGHT: the frequency's value produces character that is attributed to matter.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

THE SURROUNDS constitute an ambient system of influencing. An ecliptic of institutions in orbit around us. A cycling of effects. Each of us, its subject and each, subject to one another.

FROM OUTSIDE: the surrounds' boundary is a shell, beyond which, appearances of pasts and futures take the shape of here and now.

FROM OUTSIDE: the surrounds' boundary is a shell, beyond which, appearances of pasts and futures take the shape of here and now.

VEHICLE POINT: each point contains the knowledge of the whole network including its paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

VEHICLE POINT: each point contains the knowledge of the whole network including its paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

VEHICLE POINT: each point contains the knowledge of the whole network including its paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

VEHICLE POINT: each point contains the knowledge of the whole network including its paths, thoroughfares, arteries, streets, tangents, threads and trace roots.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

es

00:00 Edia is enfolded in information space
00:50 it is an entity distributing the self in a constellation of points around the globe. The points are personified by 'friends' in dialog.
01:06 the basic unit of Edia is a spherical point. one begets another. from worlds come worlds, where none is prime.
01:51 all surfaces are covered in video.
02:08 video is bound by pixels: each possesses knowledge of the whole.
02:39 on the surface of the sphere the horizon is continuous.
03:44 the network connects all points.
03:51 our network makes us all visible to one another -- with horizon collapsed, we live inside.
04:20 within the point, space is imagined as occupying the center -- the perspective of the network.
05:29 the point emerges from an ellipse into a cylindrical passage. A network byway that connects hole to whole.
06:30 perspective is established by the eye.
07:20 The eye acts as both witness and writer, encoding the seen into memories that are seeded into the cloud below it.
08:10 Edia is comprised of a network of emotives. The network has a molecular quality, its bonds of audiovisual sequences play in the emotives nodes.
11:11 shells envelope one another, each, a dimension that influences the direction taken at the center.
11:40 at the center: direction of thought is decided. It is the result of a complex interaction of memory, desire and the emotivational.
13:01 Possibles and Incompossibles: forces of perception and imagination are stimulated. The actual materializes, overwriting the cascades of incompossibles.
14:40 while an individual is situated in a single body, its counterpart, the dividual, is distributed to multiple bodies through communication, emotings and associations.
16:04 frequency's value produces character that is attributed to matter
19:04 the Surrounds constitute an ambient system of influencing. An ecliptic of institutions in orbit around us, a cycling of effects. Each of us its subject and each subject to one another.
20:45 the Surrounds boundary is a shell, beyond which, the appearances of pasts and futures, take the shape of here and now.

 
 
 
 
 
 
 
 
 
 
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